top of page
Search

Is Technology Changing the Value of Art?

  • Armin Hesampour
  • Jun 28
  • 8 min read

From Michelangelo's chisel to ZBrush and CNC carving, how technology is changing the way we create—and the way we value art.


Let’s start this article with a very vivid picture. Imagine two sculptures standing side by side right in front of you. Visually, they are identical. The surface finish, the anatomy, the fine details, and the material—they look exactly the same. You couldn't tell them apart if you tried.

However, the stories behind their creation are worlds apart. The first sculpture was built by an artist using their bare hands, chisels, sandpaper, and pure personal skill. They poured roughly 500 hours of sweat, sleepless nights, and hyper-focus into it. And let's not forget the years of sacrifice they spent just mastering those skills. The second sculpture was designed by another artist using ZBrush. Once the digital file was ready, they sent it to a CNC machine to be carved out of a block of stone. The artist wasn't even there for the finish line; the fabrication was outsourced to a company where a team of operators did the final cleanup and sanding.


A comparison graphic of two identical marble sculptures: on the left, "Handmade Process" details 500+ hours and pure skill; on the right, "Digital + CNC Process" shows ZBrush, machine work, and team finishing. Central text: Same Result. Different Journey.

  Now, let’s be brutally honest: which one carries more artistic value? Why does our gut automatically tell us that the first piece has a certain "artistic weight" and authenticity that the second one lacks?

But let’s take it a step further and ask an even tougher question: In this day and age, is our formula for measuring the value of art even correct? Is "artistic value" the only thing that matters anymore, or has the cold logic of production, speed, business, and market demand become just as important—if not more?

These questions have been spinning in my head for a long time. To be honest, I’ve been thinking about this ever since I started my own business. Back when I launched my studio, Nikano, I would get custom orders that I personally hated. I was literally embarrassed to share photos of them anywhere. But I did the job anyway, simply because of the brutal reality of the business and the market.

I wrote this article to find a clearer answer for myself, and to share that journey with you. We aren't here to issue manifestos, preach, or judge what is good or bad. We just want to take a few minutes to deeply reflect on this massive shift.


1. What Actually Gives Art its Value?


For most of us, the value of art has always been tied to two things: time and energy. In today's fast-paced, chaotic world, we can all agree that time is our most precious asset. Once it's gone, it's irreplaceable. When an artist dedicates 500 hours of their life to a single piece, they are melting a piece of their existence into that artwork. That is why handmade art feels sacred to us. Of course, pouring time into something isn't enough on its own; if someone spends a thousand hours making a poorly executed piece without any skill, it doesn’t magically become valuable. We are talking about time fueled by deep thought, mastery, and intent.


But let’s put on our reality glasses and look at the actual economy of the art world. The market operates on a different wavelength. The average buyer or client isn’t necessarily in love with the artist's dedication or losing sleep over those 500 hours of struggle. They are a client; they want a high-quality, fast, and cost-effective result. For a Hollywood art director or a gaming studio, it doesn't matter if you drew the concept with a pencil on paper or on a drawing tablet—they just need the project delivered on time to keep the business moving.

This is where the friction begins. The question of whether handmade work has more value is no longer a mainstream debate; it has become an intimate, deeply emotional struggle for the artist. On the other side, there is a very specific niche of collectors and high-net-worth individuals who are willing to pay top dollar for these pieces. However, they aren't just paying for the physical object; they are buying the "story behind the art." They are investing in the grit, the authenticity, and the literal sweat of the creator. They know a machine can deliver flawless quality, but a machine cannot manufacture a soul or a legacy.


2. Tools Throughout History: A Timeless Excuse to Bash the New Wave


If we flip through the pages of art history, we quickly realize this isn't the first time artists have thrown a tantrum and put their guards up. Technology always arrives looking like a monster, threatening to make old skills obsolete and ruin lives. But history proves that after the initial panic, the new tool eventually matures into a highly respected specialty of its own. Let’s look at a few historical facts to see just how repetitive this cycle really is:

  • When Photography Arrived: In 1839, when Louis Daguerre introduced the daguerreotype camera to the world, portrait painters went into an absolute panic. A famous French painter of the time, Paul Delaroche, famously declared: "As of today, painting is dead!" Artists genuinely believed that if a wooden box could capture reality in a few minutes, no one would ever care about painting again. But what did history show? Painting didn't die; it was liberated. Painters who used to grind out exact copies of kings and ministers just to pay the rent suddenly had the freedom to explore. It birthed masterpieces in Impressionism, Cubism, and Modernism. The camera didn’t destroy painting; it pushed it to evolve.

  • When Tubed Paint was Invented: It might sound ridiculous today, but before the 19th century, painters had to manually mix raw pigment powder with oil to create their own paint. When ready-made paint tubes hit the market, traditionalists revolted, calling it "lazy" and arguing that "real art means making your own paint." Yet, it was those very paint tubes that allowed artists like Claude Monet and Renoir to leave their dark studios, head into the wild, and pioneer the legendary style of open-air painting (En plein air).

  • When Photoshop Arrived: In the 1990s, when digital software like Photoshop stepped onto the scene, traditional illustrators and airbrush artists protested loudly. They claimed digital art lacked authenticity, that the Ctrl+Z button made art cheap, and that "the computer was doing all the work." Yet today, can anyone look at a professional concept artist or digital sculptor and deny their immense skill and dedication? The world finally understood that Photoshop is just a tool—the human mind is what actually creates.

Perhaps we aren't actually afraid of the technology itself. We are afraid that the years we spent mastering our craft are suddenly being rendered worthless.

3. Why Do We Get Destabilized by New Technology?


Today, artists are visibly split into two camps. One group has fully embraced the wave of technology, modern tools, and AI, while the other group is fiercely pushing back.

To be completely vulnerable: when I see someone who has never spent a single hour studying academic art, never practiced for a single day, and has absolutely no grasp of core fundamentals like anatomy, perspective, or composition, sit down at a keyboard, type a one-paragraph prompt into an AI tool, and get a breathtaking, flawless visual output... Yes! As an artist, it hits a nerve. It rubs me the wrong way.


Our brains, wired by the thousands of hours we sacrificed to master a physical or digital skill, find it incredibly hard to accept that a five-second output can look just as stunning. Art, in our minds, has always been transactional with "suffering and mastery." When a tool comes along and makes that expertise accessible to absolutely anyone instantly, we hit a massive identity crisis: What was the point of all those years of burning the midnight oil?


This fear isn't abstract; it's a harsh economic reality. Just look at the gaming industry over the last few years to see the weight of this crisis. Countless 2D artists and concept illustrators who spent a lifetime honing their craft are facing massive, sweeping layoffs because studio executives realized AI can do three days of their work in three seconds at zero cost. This is where the debate stops being a philosophical discussion about art and becomes a brutal war for survival. But then again... how much do the ruthless gears of the economy care about an artist's protest? Not at all. Business moves forward regardless.

With all that said, we have to ask a more profound question: If the legendary masters of history were alive today, wouldn't they use these exact tools?


Take the iconic ancient masterpiece, "Laocoön and His Sons." The anatomical detail in this sculpture is so impossibly complex that it took three of ancient Greece's greatest sculptors—Agesander, Polydorus, and Athenodorus—years of collective, brutal labor to tame that massive block of marble (Source: The Masterpiece of Laocoön at the Vatican Museums). If they had access to ZBrush and 3D printing today, would they really spend years physically sanding down stone, or would they offload that labor and move on to their next grand idea?


Or think about Michelangelo. We often visualize him standing completely alone with a hammer over a massive piece of marble, carving for years. But historical records paint a very different picture. At the height of his career, Michelangelo ran a massive studio (Bottega) filled with dozens of highly skilled apprentices and assistants (Source: The Structure of Renaissance Sculpture Workshops at the National Gallery of Art). For many of his monumental projects, his assistants would rough-carve and hollow out the massive blocks of stone based on small scale-models Michelangelo had sculpted. Once the heavy lifting was done, Michelangelo would step in to execute the delicate, high-risk details, carving the final magical contours and leaving his emotional signature on the piece.


Now imagine if someone told Michelangelo that a CNC carving robot could rough-out a block of marble into the baseline form of his Moses sculpture in just 10 days, leaving him to step in only for the artistic finish and details. Would he reject it? He would probably embrace it in a heartbeat! It would have allowed him to gift the world hundreds of masterpieces rather than being limited to a handful over his lifetime.



4. A Question to Take Home

Consider this thought experiment:

If we woke up tomorrow morning and every single AI tool, 3D modeling software, CNC machine, and 3D printer on earth completely vanished... what would happen? Would art lose anything?

Absolutely, yes. Art would lose three massive things: speed, accessibility, and sheer volume. The process of creation would instantly become slow, heavy, and incredibly expensive. The number of people capable of bringing the ideas inside their heads into reality would plummet, because in today's world, very few people have the time, patience, or bandwidth for years of grueling academic and manual training.

But what is the silver lining of that scenario? In that world, the person who possesses true vision, artistic thinking, a deep understanding of aesthetics, and that intangible "spark" that makes someone an artist, will still remain an artist. They weren't dependent on a software or a single button. Tools, software, and machines will always come and go, but the creative perspective, the worldview, and the unique voice of the artist are permanent and irreplaceable.


The Verdict is Yours...

Technology makes production easier, faster, and far more profitable for business. It disrupts specialties and widens the playing field for newcomers. But the ultimate question remains: Is the true value of an artwork found solely in the final, flawless product? Or is it found in the journey, the narrative, the struggle, and the identity the artist forged to get there?

Personally, I always try to ride the wave. I welcome any tool that can save even a fraction of my time with open arms, and it genuinely excites me. The time saved is time gained for deeper creativity and more production, creating a beautiful loop. This is our unique equity as humans in the world of art—a space that no machine, no matter how advanced, can ever replicate.


I would love to know your thoughts, whether you are an artist or simply someone who appreciates art. Do you think this relentless speed and convenience has elevated art, or cheapened it? Let me know in the comments, or connect with me via email or Instagram at Art of Arm.

 
 
 

Comments


  • Instagram
  • LinkedIn
bottom of page